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1772 in music

From Wikipedia, the free encyclopedia

Events

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Classical music

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Opera

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Methods and theory writings

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Births

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Deaths

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References

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  1. The Annual Register, Or, A View of the History, Politics, and Literature for the Year ... J. Dodsley. 1780. p. 2.
  2. "January 1, 1772". Music & History. Retrieved 3 September 2019.[permanent dead link]
  3. "January 2, 1772". Music & History. Retrieved 29 April 2019.{{cite web}}: CS1 maint: deprecated archival service (link)
  4. Le Guide Musical: Revue Internationale de la Musique Et de Theâtres Lyriques, Volume 22 (in French). 1876. p. 6.
  5. Classic FM Diary 2011
  6. Don Michael Randel (1999). The Harvard Concise Dictionary of Music and Musicians. Harvard University Press. p. 631. ISBN 978-0-674-00084-1.
  7. Johann Baptist Vanhal (2002). Flute quartet in C, op. 7 [i.e. 8] no. 6: (Weinmann Vb:C1). Artaria. p. iii. ISBN 9781877231513.
  8. Howard Chandler Robbins Landon (1994). Haydn: Chronicle and Works. Thames and Hudson. p. 183. ISBN 978-0-500-01168-3.
  9. 1 2 The Harvard Biographical Dictionary of Music. Belknap Press of Harvard University Press. 1996. p. 297. ISBN 9780674372993.
  10. Wikisource One or more of the preceding sentences incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Gossec, François Joseph". Encyclopædia Britannica (11th ed.). Cambridge University Press. p. 269.
  11. Pauline D. Townsend (1884). Joseph Haydn 1732-1809. Sampson Low, Marston, Searle & Rivington. pp. 121–124.
  12. Magnificat in F major: Scores at the International Music Score Library Project
  13. "Chronology of Barbella prints in Paris". Van Tichelen. Retrieved 17 March 2026.
  14. 6 Symphonies, Op. 9: Scores at the International Music Score Library Project
  15. Nick Rossi; Talmage Fauntleroy (1999). Domenico Cimarosa: His Life and His Operas. Greenwood Publishing Group. p. 47. ISBN 978-0-313-30112-4.
  16. 1 2 Jno Leland Hunt (1975). Giovanni Paisiello, his life as an opera composer. National Opera Association. p. 70.
  17. John Glenn Paton (1994). Italian Arias of the Baroque and Classical Eras: High. Alfred Music Publishing. p. 127. ISBN 978-0-7390-2191-0.
  18. Thomas Edward Brown (1998). Fo'c's'le Yarns: An Uncensored Edition of Four Manx Narratives in Verse. University Press of America. p. 260. ISBN 978-0-7618-1215-9.
  19. James Garratt (2002). Palestrina and the German Romantic Imagination. Cambridge University Press. p. 40. ISBN 0-521-80737-9
  20. Philip H. Highfill; Kalman A. Burnim; Edward A. Langhans (1975). A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers, and Other Stage Personnel in London, 1660–1800: Corye to Dynion. SIU Press. p. 23. ISBN 978-0-8093-0693-0.
  21. Anya Laurence (1978). Women of Notes: 1,000 Women Composers Born Before 1900. R. Rosen Press. p. 59.
  22. Theodore Baker; Nicolas Slonimsky (1940). Biographical Dictionary of Musicians: Supplement 1949. G. Schirmer. p. 1076.
  23. Chicago Symphony Orchestra; Arthur Mees (1914). Descriptive Program. Orchestral Association. p. 261.
  24. The Organ, Volume 7. Musical Opinion. 1927. p. 134.