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Ronnie Taylor

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Ronnie Taylor
Born
Ronald Charles Taylor

(1924-10-27)27 October 1924
London, England
Died3 August 2018(2018-08-03) (aged 93)
Other nameRon Taylor
OccupationCinematographer
Years active1942–2002
SpouseMary Devetta (married 1952-2018)
Children2, Tracey Taylor • Nikki Watson

Ronald Charles "Ronnie" Taylor, BSC (27 October 1924 – 3 August 2018) was an English cinematographer, best known for his collaborations with directors Richard Attenborough and Dario Argento. He won an Academy Award for Best Cinematography for his work on Attenborough's Gandhi (1982), which he shared with Billy Williams. He was also a two-time BAFTA Award nominee, for Gandhi and Cry Freedom (1987).

Early life

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Taylor was born on 27 October 1924 in Hampstead, London. At the age of 18 and in search of a job, Taylor pursued a radio operator certificate to find work with the Merchant Navy. However, a family neighbour, Jack Swinburne, offered to give Taylor a tour of Gainsborough Pictures Studio at Lime Grove in Shepherd Bush. After seeing how films were made, he quickly fell in love with the line of work and wanted to partake in the creation of films.

Career

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Taylor's first film was as a clapper boy in The Young Mr. Pitt (1942), that same year he entered the Merchant Navy. in service for the Second World War. After returning home, he continued working in the film industry. The following year, he pulled focus during the filming of the man in Grey (1943), solidifying the start of his career in the industry.[1]

Taylor would then primarily shift to free-lance work. At times, he would work and would be contracted with studios like Pinewood Studios, Ealing Studio, and the Vera Cruz company. In his interview with David A. Ellis for his book Conversations with Cinematographers, Pinewood was mentioned as a personal favourite he had worked with and also where he would build a name for himself among his peers as a noteworthy operator.

In 1952, he would meet his future wife, Mary Devetta during the production of Secret People (1952) at Ealing Studios, West London. The two would move over to Brazil due to a two-year contract Taylor had signed with the Vera Cruz and stayed an additional two more years before the company closed.[1]

Taylor moved back to Britain worked on projects and cemented a relationship with fellow cinematographer Freddie Francis. While not credited, he worked alongside the former on films such as Virgin Island (1958), Saturday Night and Sunday Morning (1960), and The Innocents (1961). Taylor would continue working on films and commercials as a freelancer operating on films. In 2001, at the age of 77, Taylor announced his retirement. He bought a property with a swimming pool in Ibiza, Spain, where he spent the rest of his life. Taylor continued his passion for film past his retirement, frequently participating in the Ibiza International Film Festival and was awarded the Ibiza IFF's achievement award.[2]

Taylor had taken upon different fields of film, initially starting as a clapper boy, then working his way up to a camera operator where he spent most of his time in the field. In 1975, Taylor worked with director Ken Russel on Tommy (1975). Russel and film set Photographer Dick Bush got into a disagreement, leading to Dick leaving the project.[1] Taylor took up the mantle and expanded his skill set into lighting and electrical work. This decision would lead to an expansion into television series production and commercial creation. While his catalogue of television production is less extensive than his filmography, he worked on TV series such as The Avengers (1965), Master of the Game (1984), and Jewels (1992).[1][3]

After some time, he decided to transition into the Director of Photography.

Taylor's most notable accomplishment as a cinematographer was his work for Gandhi. During the production of Gandhi, the Director of Photography, Billy Williams BSC, had an incident, slipping his discs. Due to Taylor's relationship with Richard Attenborough from his time at Pinewood, Attenborough reached out to Taylor, asking him to help with the cinematography of Gandhi, taking over as the new Director of photography and continuing with this film.[1] For his role in its production, Taylor won and shares an Oscar with the former director of photography, Williams. The pair also won the best cinematographer for the Academy Awards, British Academy Film Awards, and the British Society of Cinematographers.[4]

Afterward, Taylor would continue working on films and commercials. It was through a chance meeting during the production of commercials that he came to become acquainted with Italian director Dario Argento. The two would pair up again and form a partnership. Taylor worked on three films with Argento: Phantom of the Opera (1998), and Sleepless (2001). Sleepless is marked as the final film in Taylor's filmography and decided to officially retire in 2001, at the age of 77. He bought a property in Ibiza, Spain where he spent the rest of his life. Taylor continued his passion for film past his retirement, frequently participating in the Ibiza International Film Festival and was awarded the Ibiza IFF's achievement award.[2]

He is featured in the book Conversations with Cinematographers by David A Ellis, published by Scarecrow Press.

Illness and death

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In 2018, Taylor suffered a stroke and during his battle for recovery, his health deteriorated, eventually leading to subsequent health problems. Taylor died on 3 August 2018. He is survived by his two daughters, Tracey Taylor and Nikki Watson as well as two grandchildren.

Filmography

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Film

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Year Title Director Notes
1962 The War Lover Philip Leacock Aerial unit photography
Two and Two Make Six Freddie Francis with Desmond Dickinson
1971 Murphy's War Peter Yates Aerial unit photography
1975 Tommy Ken Russell with Dick Bush
1976 The Return of a Man Called Horse Irvin Kershner Additional photography
1977 The Island of Dr. Moreau Don Taylor 2nd unit photography
1978 Who'll Stop the Rain Karel Reisz Additional photography
1978 Circle of Iron Richard Moore
1981 Savage Harvest Robert L. Collins
1982 Gandhi Richard Attenborough with Billy Williams
1983 High Road to China Brian G. Hutton
1984 Champions John Irvin
1985 A Chorus Line Richard Attenborough
1986 Foreign Body Ronald Neame
1987 Opera Dario Argento
Cry Freedom Richard Attenborough
1989 The Experts Dave Thomas
Sea of Love Harold Becker
1990 The Rainbow Thief Alejandro Jodorowsky
1991 Popcorn Mark Herrier
1995 The Steal John Hay
1998 The Phantom of the Opera Dario Argento
2001 Sleepless

Television

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Year Title Notes
1983 The Hound of the Baskervilles TV movie
1984 Master of the Game Miniseries
Nairobi Affair TV movie
1992 Jewels Miniseries
1993 Age of Treason TV movie
1994 Shadow of Obsession TV movie
Good King Wenceslas TV movie
1995 Redwood Curtain TV movie

Other work

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Awards and nominations

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Institution Year Category Work Result Ref.
Academy Awards 1983 Best Cinematography Gandhi Won [5]
British Academy Film Awards 1983 Best Cinematography Nominated [6]
1988 Cry Freedom Nominated [7]
British Society of Cinematographers 1982 Best Cinematography in a Theatrical Feature Film Gandhi Won [1]

References

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  1. 1 2 3 4 5 6 "BSC Members | British Society of Cinematographers". bscine.com. Retrieved 19 April 2024.
  2. 1 2 Eilis, David (2012). Conversations with cinematographers. Scarecrow Press.
  3. "Ronnie Taylor | Camera and Electrical Department, Cinematographer". IMDb. Retrieved 19 April 2024.
  4. Cinematographer, British (15 April 2017). "Ronnie Taylor BSC". British Cinematographer. Retrieved 19 April 2024.
  5. "The 55th Academy Awards | 1983". www.oscars.org. 5 October 2014. Retrieved 19 July 2026.
  6. "Film". Bafta. Retrieved 19 July 2026.
  7. "Film". Bafta. Retrieved 19 July 2026.
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