Other Winners

Pop

* Best Female Vocal: “I Will Remember You,” Sarah McLachlan.

* Best Male Vocal: “Brand New Day,” Sting.

* Best Duo or Group Vocal: “Maria Maria,” Santana.

* Best Collaboration With Vocals: “Smooth,” Santana featuring Rob Thomas.

* Best Instrumental Performance: “El Farol,” Santana.

* Best Dance Recording: “Believe,” Cher.

Traditional Pop

* Best Traditional Pop Vocal: “Bennett Sings Ellington--Hot and Cool,” Tony Bennett.

Rock

* Best Female Rock Vocal Performance: “Sweet Child O’ Mine,” Sheryl Crow.

* Best Male Rock Vocal Performance: “American Woman,” Lenny Kravitz.

* Best Duo or Group Rock Performance: “Put Your Lights On,” Santana (featuring Everlast).

* Best Hard Rock Performance: “Whiskey in the Jar,” Metallica.

* Best Metal Performance: “Iron Man,” Black Sabbath.

* Best Rock Instrumental Performance: “The Calling,” Santana featuring Eric Clapton.

* Best Rock Song: “Scar Tissue,” Flea, John Frusciante, Anthony Kiedis and Chad Smith (Red Hot Chili Peppers, artist).

Alternative Music

* Best Alternative Music Performance: “Mutations,” Beck.

R&B;

* Best Female R&B; Vocal: “It’s Not Right but It’s Okay,” Whitney Houston.

* Best Male R&B; Vocal Performance: “Staying Power,” Barry White.

* Best Duo or Group R&B; Performance: “No Scrubs,” TLC.

* Best R&B; Song: “No Scrubs,” Kevin “Shekspere” Briggs, Kandi Burruss and Tameka Cottle (TLC, artist).

* Best Traditional R&B; Vocal Performance: “Staying Power,” Barry White.

Rap

* Best Rap Solo Performance: “My Name Is,” Eminem.

* Best Rap Performance by a Duo or Group: the Roots featuring Erykah Badu.

Country

* Best Female Country Vocal: “Man! I Feel Like a Woman!,” Shania Twain.

* Best Male Country Vocal Performance: “Choices,” George Jones.

* Best Duo or Group Country Performance: “Ready to Run,” Dixie Chicks.

* Best Country Collaboration With Vocals: “After the Gold Rush,” Emmylou Harris, Linda Ronstadt and Dolly Parton.

* Best Country Instrumental Performance: “Bob’s Breakdowns,” Asleep at the Wheel.

* Best Country Song: “Come On Over,” Robert John “Mutt” Lange and Shania Twain.

* Best Bluegrass Album: “Ancient Tones,” Ricky Skaggs & Kentucky Thunder.

New Age

* Best New Age Album: “Celtic Solstice,” Paul Winter and Friends.

Jazz

* Best Contemporary Jazz Performance: “Inside,” David Sanborn.

* Best Jazz Vocal Performance: “When I Look in Your Eyes,” Diana Krall.

* Best Jazz Instrumental Solo: “In Walked Wayne,” Wayne Shorter.

* Best Jazz Instrumental Performance, Individual or Group: “Like Minds,” Gary Burton, Chick Corea, Pat Metheny, Roy Haynes and Dave Holland.

* Best Large Jazz Ensemble Performance: “Serendipity 18,” Bob Florence Limited Edition.

* Best Latin Jazz Performance: “Latin Soul,” Poncho Sanchez.

Gospel

* Best Rock Gospel Album: “Pray,” Rebecca St. James; “Time,” Third Day.

* Best Pop/Contemporary Gospel Album: “Speechless,” Steven Curtis Chapman.

* Best Southern, Country, Bluegrass Gospel Album: “Kennedy Center Homecoming,” Bill and Gloria Gaither and Their Homecoming Friends.

* Best Traditional Soul Gospel Album: “Christmas With Shirley Caesar,” Shirley Caesar.

* Best Contemporary Soul Gospel Album: “Mountain High . . . Valley Low,” Yolanda Adams.

* Best Gospel Choir or Chorus Album: “High & Lifted Up,” Brooklyn Tabernacle Choir, Carol Cymbala, choir director.

Latin

* Best Latin Pop Performance: “Tiempos,” Ruben Blades.

* Best Latin Rock/Alternative Performance: “Resurrection,” Chris Perez Band.

* Best Traditional Tropical Latin Performance: “Mambo Birdland,” Tito Puente.

* Best Salsa Performance: “Llego . . . Van Van: Van Van Is Here,” Los Van Van.

* Best Merengue Performance: “Pintame,” Elvis Crespo.

* Best Mexican-American Performance: “100 Anos De Mariachi,” Placido Domingo.

* Best Tejano Performance: “Por Eso Te Amo,” Los Palominos.

Blues

* Best Traditional Blues Album: “Blues on the Bayou,” B.B. King.

* Best Contemporary Blues Album: “Take Your Shoes Off,” Robert Cray Band.

Folk

* Best Traditional Folk Album: “Press On,” June Carter Cash.

* Best Contemporary Folk Album: “Mule Variations,” Tom Waits.

Reggae

* Best Reggae Album: “Calling Rastafari,” Burning Spear.

World Music

* Best World Music Album: “Livro,” Caetano Veloso.

Polka

* Best Polka Album: “Polkasonic,” Brave Combo.

Children’s

* Best Musical Album for Children: “The Adventures of Elmo in Grouchland,” various artists (Andy Hill, producer).

* Best Spoken Word Album for Children: “Listen to the Storyteller,” Wynton Marsalis, Graham Greene and Kate Winslet (Steven Epstein and David Frost, producers).

Spoken Word

* Best Spoken Word Album: “The Autobiography of Martin Luther King Jr.,” LeVar Burton.

* Best Spoken Comedy Album: “Bigger & Blacker,” Chris Rock.

Musical Show

* Best Musical Show Album: “Annie Get Your Gun,” Stephen Ferrera and John McDaniel, producers; Irving Berlin, lyricist and composer.

TV/Visual Media

* Best Soundtrack Album: “Tarzan,” Phil Collins.

* Best Instrumental Composition for a Motion Picture, Television or Other Visual Media: “A Bug’s Life” score, Randy Newman.

* Best Song Written for a Motion Picture, Television or Other Visual Media: “Beautiful Stranger” (From “Austin Powers: The Spy Who Shagged Me”), Madonna and William Orbit (Madonna, artist).

Composing/Arranging

* Best Instrumental Composition: “Joyful Noise Suite,” Don Sebesky.

* Best Instrumental Arrangement: “Chelsea Bridge,” Don Sebesky (Sebesky, artist).

* Best Instrumental Arrangement Accompanying Vocalist(s): “Lonely Town,” Alan Broadbent (Charlie Haden Quartet West featuring Shirley Horn, artist).

Package Field

* Best Recording Package: “Ride With Bob,” Ray Benson, Sally Carns and Buddy Jackson (Asleep at the Wheel, artist).

* Best Boxed Recording Package: “Miles Davis--The Complete Bitches Brew Sessions,” Ron Jaramillo and Arnold Levine.

* Best Album Notes: “John Coltrane--The Classic Quartet--Complete Impulse! Studio Recordings,” Bob Blumenthal.

Historical Field

* Best Historical Album: “The Duke Ellington Centennial Edition--The Complete RCA Victor Recordings (1927-1973),” Orrin Keepnews and Steven Lasker, compilation producers; Paul Brizzi, Dennis Ferrante and Steven Lasker, mastering engineers.

Production Field

* Best Engineered Album, Non-Classical: “When I Look in Your Eyes,” Al Schmitt (Diana Krall, artist).

* Producer of the Year, Non-Classical: Walter Afanasieff.

* Remixer of the Year, Non-Classical: Club 69 (Peter Rauhofer).

* Best Engineered Album, Classical: Stravinsky: “Firebird”; “The Rite of Spring”; “Persephone,” Markus Heiland, engineer (Michael Tilson Thomas, conductor).

* Producer of the Year, Classical: Adam Abeshouse.

Classical

* Best Album: Stravinsky: “Firebird”; “The Rite of Spring”; “Persephone,” Michael Tilson Thomas, conductor; Andreas Neubronner, producer (San Francisco Symphony; various choirs).

* Best Orchestral Performance: Stravinsky: “Firebird”; “The Rite of Spring”; “Persephone,” Michael Tilson Thomas, conductor (San Francisco Symphony; various choirs).

* Best Opera Recording: Stravinsky: “The Rake’s Progress,” John Eliot Gardiner, conductor; Ian Bostridge; Anne Sofie von Otter; Bryn Terfel; Nicholas Parker, producer (Monteverdi Chorus; London Symphony).

* Best Choral Performance: Britten: “War Requiem,” Robert Shafer, conductor; Joan McFarland and Betty Scott, choir directors (Christine Goerke, Richard Clement, Richard Stilwell; Maryland Boy Choir; Shenandoah Conservatory Chorus; Washington Chorus; Washington Orchestra).

* Best Instrumental Soloist(s), Performance (With Orchestra): Prokofiev: Piano Concertos Nos. 1 and 3/Bartok: Piano Concerto No. 3, Martha Argerich, piano; Charles Dutoit, conductor (Orchestre Symphonique de Montreal).

* Best Instrumental Soloist Performance (Without Orchestra): Shostakovich: 24 Preludes and Fugues, Opus 87, Vladimir Ashkenazy, piano.

* Best Chamber Music Performance: Beethoven: Violin Sonatas, Anne-Sophie Mutter, violin; Lambert Orkis, piano.

* Best Small Ensemble Performance: “Colors of Love” (Works of Thomas, Stucky, Tavener, Rands, etc.), Chanticleer; Joseph Jennings, conductor.

* Best Classical Vocal Performance: Mahler: “Des Knaben Wunderhorn,” Thomas Quasthoff, baritone; Anne Sofie von Otter, mezzo-soprano (Claudio Abbado, conductor; Berlin Philharmonic).

* Best Classical Contemporary Composition: Boulez: “Repons,” Pierre Boulez, composer (Vincent Bauer, vibraphone; Florent Boffard, piano; Pierre Boulez, conductor; Frederique Cambreling, harp; Michel Cerutti, cimbalom; Daniel Ciampolini, xylophone and glockenspiel; Ensemble InterContemporain; Andrew Gerzso, electro-acoustic realization; Dimitri Vassilakis, piano).

* Best Classical Crossover Album: Schickele: “Hornsmoke,” the Chestnut Brass Co.; Peter Schickele, piano and narrator.

Music Video Field

* Best Short Form Music Video: “Freak on a Leash,” Korn, Jonathan Dayton, Valerie Faris and Todd McFarlane (directors), Terry Fitzgerald amd Bart Lipton (producers).

* Best Long Form Music Video: “Bands of Gypsys--Live at Fillmore East,” Jimi Hendrix, Bob Smeaton (director), Neil Aspinall and Chips Chipperfield (producers).